These days Sony users are feeling the love from Zeiss with the company’s highly regarded Batis lenses and the smaller rangefinder style manual focus Loxia line. While the Batis and Loxia (Zeiss names their lens lines after bird species – due to their visual acuity) are excellent native options, the beauty of the Sony mirrorless system is that we can mount nearly every lens developed for a 35mm sensor. So when I was looking for a 21mm loaner from my friendly Zeiss rep at Precision Camera, he advised that I give the new Milvus 21/2.8 a try.
Over the past few years Sony has disrupted the DSLR industry with their full frame a7 mirrorless line, but the camera that started it all was the original RX1. Regular readers will know that I’m a longtime user of the Sony RX1, – I’ve written about my extensive history with the original here on the blog. Even with the excellent a7 bodies in my bag, I still prefer the concept of a compact, FF camera to have by my side for those definitive moments. Since its release in 2012, the RX1 has been labeled a modern classic – a full frame compact that you could use as your main tool without compromise. But technology moves fast and today there is competition in the space from both the Leica Q and the just released update to the RX1, the RX1RII.
Click through for thoughts on how the Q stacks up to the Sony cameras.
Celebrating its ten year anniversary, FFF Fest proved yet again why it is one of the best festivals in the nation. With headliners such as Jane’s Addiction, performing their 90s classic Ritual de lo Habitual in its entirety, and a resurgent Ms Lauren Hill topping Sunday night in a big way, FFF provides the alternative to overgrown festivals recycling the same lineup of whatever acts are on tour.
Mammoth gallery of all three days after the jump.