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Sony FE 16-35mm f/2.8 G Master Review

With each new digital camera release we move further away from the dirtier elements of photography. No longer do digital sensors struggle with anemic dynamic range and poor low light performance. Everything is “clean” these days.

At the same time, lenses are being polished and aligned, exotic elements added and AF systems improved until they are the ultimate in optics. Sony’s GM line (or G Master) is their play at this high-end of lens design. I was lucky enough to get some pre-release time with their newest entry in the GM line, the FE 16-35mm f/2.8 GM. The questions I wanted to answer were whether this new lens was going to be too clinical, or was there going to be some glaring deficiency that I couldn’t overlook.


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High Flying

The upside to having an eleven-year-old that is plane crazy is that I get to relive my own childhood love of aviation. A couple weekends ago we headed out to a vintage car and airplane show in Georgetown, TX with cameras in tow. My son had a little Konica A4 loaded up with some Kodak ProImage 100 while I grabbed the RX1RII and the a7RII with Touit 12mm. Click through for a gallery of our good times.


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Photo Plus Expo – From the Zeiss Booth

I stopped by to see my friends at Zeiss during this year’s Photo Plus Expo in NYC. I wanted to show them the old Zeiss Planar 45/2 (Contax G) that I was shooting adapted with AF on the a7R II. They had a booth model posing so I snapped a few shots to see if this old lens was a good fit for portraiture compared to a more recent optic like the Loxia 50/2. I don’t have a comparison but I was very pleased with the results. No touch-ups here, just some color and b/w editing.

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Live

From the pits, crowds and stages