When mirrorless first emerged on the market back in 2008 with the Panasonic DMC-G1 – not counting the earlier and more esoteric rangefinders from Epson and Leica – the concept of a smaller camera performing at the level of a dSLR was quite foreign to photographers and if we are fair, still a few years off. As Olympus, Fuji, Leica, Ricoh, Pentax, Sony and eventually even Canon and Nikon jumped into the nascent format, all the early systems were small, with lenses that matched the diminutive bodies. Those early systems like the Olympus Pen, the Sony NEX and the Ricoh GXR were a revelation to photographers sick of the ever expanding waistline of their dSLR kits.
In 1988, The Sugarcubes debut album “Life’s Too Good” was getting heavy rotation in my cd player and served as an introduction to the quirky band’s native Iceland. Over the years other Icelandic bands like Sigur Ros and Of Monsters and Men, continued to sonically and lyrically paint an enticing canvas of their native homeland, further cementing the small country on my bucket list of places to visit. So this fall, while friends planned their winter vacation to warmer climes, I pitched the family on an adventure in the land of Ice and Fire. My wife has come to accept my odd predilections and the kids were just happy to get passports so we booked the flights and began our planning.