Throughout the history of modern photography, there are few lenses that have garnered almost universal praise from photographers – a tough bunch to get to agree on anything gear related. One of those lenses is the Carl Zeiss Planar 80mm f/2 for the Contax 645 medium format system. A quick Google search will return many reviews in praise of the Planar and its unique and beautiful rendering that came to define the look of wedding photography in particular. I’ve used the lens on and off over the past 10 years to shoot everything from live music to portraits and weddings, and there is no denying the special character it produces.Read More
Sony 50mm f/2.5 G Lens Review: All the G you need?
Most photographers, your author included, will admit to a nagging case of lens lust. Fast primes, ultra sharp zooms, and monster telephotos are marketed as must have. No doubt, the modern professional lens is required equipment for demanding client work, but do we always need the biggest and fastest to get the job done? A promise of mirrorless has always been a smaller piece of equipment, and the new line of G primes from Sony (24mm f/2.8, 40mm f/2.5 and 50mm f/2.5) were designed to make good on that pledge.
I recently received my copy of the 50mm G and have spent enough time with it to put some thoughts to Internet. I was curious if this “baby GM” could do the work of the larger fast 50mm primes in situations that don’t depend on low light, ultra-fast aperture performance, and specifically, would this compact everyday 50mm satisfy for portraiture?Read More