Close

Sony a7R II and Zeiss Batis lenses – Initial thoughts and shots from the coast of Maine

Blasphemy be damned, I’m going to admit that I wasn’t all that excited about the a7R II prior to its release.

I’m a simple stills guy so the 4k video is wasted on me; I also like my fat pixel 12mp a7S files just fine, thank you and I dreaded having to deal with both the processing and storage requirements of a 42mp image. Furthermore, I already enjoy the refreshed body style and IBIS on the a7 II and I’m not a switcher – been shooting Sony for a few years now and sold all my Canon L lenses long ago.

My prior detachment aside, the release of this camera is a watershed moment in the mirrorless epoch. The a7R II spec sheet reads like something out of the future, a no compromise piece of kit that is both evolutionary and revolutionary at the same time. Who wouldn’t be interested in this camera? As professionals or even enthusiasts, we desire the best and this camera promises to be that at a great many things. Even if it falls short in a single category like low light (little brother a7S still reigns supreme), its second best still trumps most everything else on the market.

So yeah, I want the best and I want it compact and rugged and efficient and with a great compliment of lenses. I know it will eventually be eclipsed by something newer and greater but at this point in time, I can with a good conscience state that it is the best digital camera I have ever owned.


Read More